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Sunday, October 11, 2026
MapleScope

Ballet Luminary Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

In the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his limbs defined beneath a simple white T-shirt. During performances, dancers can appear as powerful gods, yet often in person they are petite. Not so Ball, whose height is part of his popularity for princely characters and partnering. Possessing fine traits and piercing eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Pinnacle

At 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he encountered little teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved straight into the troupe and was advanced each year, attaining the top rank of principal in 2018. He has relished taking on substantial dramatic roles, particularly the psychological angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next starring role is in a talk, in an "Evening With" event aiming to offer intimate perspectives into a performer's craft. He will guide the crowd through a role, showing his mental process during execution. Yet in lighter ballets, the challenge is profound. "Don Quixote is one of the most demanding technically," he notes.

The Mental Struggle and After the Show Emotions

What about after a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to extract all the emotion out of it, and get immersed in the character, quite often I do feel embarrassed later. After Mayerling I'm always like: God, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Does this exist? "I am very energetic usually, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."

Formative Motivations and Artistic Influences

His tenacity stemmed from early setbacks. Not doing well in competitions at school made him "driven!" This became motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

An upcoming endeavor is making his own dance works. In his view, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing inspiration from literature, music, and painting.

Intimate Performance and Personal Partnership

He additionally favors staging dance in smaller spaces. "It was just really exciting," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." They are not usually paired on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

On Social Media and Bodily Image

On social media, followers can see clips from his projects and images that highlight a athletic physique. Does he care that the response can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be interpreted on various ways.

Ball characterizes his younger self as "desperate for success." Has it met his expectations? "I feel very aware of how reality is a separate thing to the aspirations you made as a young person," he reflects. He likely has about ten years of performing left. "I suppose in the time to come, I want to be a bit more gentle with myself."

About the author

Lisa Sutton

A nature enthusiast and cultural writer based in Ontario, sharing stories of Canadian life and outdoor adventures.

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